MSSU African Art Exibit : The MSSU African Art collection features a variety of authentic works of art from various tribes located throughout Central Africa. The objects in the collection range from mundane day to day grooming tools to ritualistic masks and statues.
Bena Lulua Style Mask
Object Name:
Mask, Dance, Ritual
Other Name:
Mask, Bena Lulua
Place of Origin:
Bena Lulua, Democratic Republic of Congo, Africa
Aboriginal Indigenous Art.

Lulua is an umbrella term, which refers to a large number of heterogeneous peoples who populate the region near the Lulua River, between the Kasai and Sankuru rivers. The Lulua people migrated from western Africa during the 18th century and settled in the southern part of the Democratic Republic of the Congo (formerly Zaire).

The heterogeneous composition of the people and the considerable area they occupy, explain the many stylistic overlappings with their neighbors. The formal and functional diversity of the masks testifies to the region as an ethnic crossroads and sometimes makes it difficult to confirm their origin. One can distinguish at least two categories of wooden Lulua masks. The first group consists of face masks with concave eye—sockets and intricate geometric painted patterns; the second consists of face masks with concave eye—sockets, simpler patterns, and plank—shaped crest. Lulua masks with their pointed nose and deep eye—sockets were probably used during circumcision and funeral ceremonies.

The Lulua considered them self to be Luba, a Pemba subgroup. The name Lulua was given to the Bena Moyo who lived on the banks of the Lulua River in Zaire by explorers in 1881. During the late 19th century, Lulua culture underwent drastic changes. In 1875 Lulua king Kalabam sanctioned new social and religious policies. He ended palm wine drinking, hemp smoking and had all cult carvings incinerated. In 1888 the use of scarification was banned. The impact on Lulua tradition was great. The Lulua were infamous for applying highly stylized incised scarification markings and patterns onto themselves and all related artwork. To them scarification signifies individuality and life itself.
Oval—shaped wooden face mask, with protruding slit eyes in large concave orbits. Circular protruding pierced mouth. Bell—shaped nose, blended into large prominent eye orbits. Circular scarification marks on cheeks and forehead. Ridged hairline, circling top of head. Large tan—colored raffia hair, woven into back of head. Entire surface area covered with dark brown or black patina.
Guy Mace Collection, (Turblex Company)
Wood W/Patina and Raffia
Ritually Used
Carving / Weaving / Painting
Art Department, Missouri Southern State University
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Front ViewFront View
Front View - 2Front View - 2
Right Side ViewRight Side View
Left Side ViewLeft Side View
Rear ViewRear View
Rear View - 2Rear View - 2