MSSU African Art Exibit : The MSSU African Art collection features a variety of authentic works of art from various tribes located throughout Central Africa. The objects in the collection range from mundane day to day grooming tools to ritualistic masks and statues.
Fang Style Reliquary Figure, W/Basket
Object Name:
Figure, Reliquary, Fang
Other Name:
Figure, Reliquary, Basket
Place of Origin:
Fang, Gabon, Africa
Aboriginal Indigenous Art.
H = 16"
W = 6"
D = 6"

The ensemble of Fang peoples practice a cult devoted to ancestor lineages, the bieri, whose aim is to both protect themselves from the deceased and to recruit their aid in matters of daily life. This familial cult does not monopolize the Fang’s religious universe, for it coexists with other beliefs and rituals of a more collective character. It is the bieri, or ancestor sculpture, which has most obviously given rise to the making of remarkable wooden sculpture. The statuary of the Fang can be classified into three main groups: heads on long necks, half—figures and full figures, standing or seated. Carved with great simplicity, at the same time they exhibit a high degree of sophistication in the coordination of bulbous forms. The neck is often a massive cylindrical form. The arms have various positions: hands clasped in front of the body (sometimes holding an object); held in front of the chest or attached to it; hands resting on the knees in the seated figures. The navel is often exaggerated into a cylindrical form. Legs are short, stunted. Usually there is a domed, wide forehead and the eyebrows often form arcs with the nose. The eyes are often made of metal roundlets. The bieri would be consulted when the village was to change location, when a new crop was planted, during a palaver, or before going hunting, fishing, or to war. But once separated from the reliquary would lose its sacred value and could be destroyed. The ritual consisted of prayers, libations, and sacrifices offered to the ancestor, whose scull would be rubbed with powder and paint each time. With its large head, long body, and short extremities, the Fang bieri had the proportion of a newborn, thus emphasizing the group’s continuity with its ancestor and with the three classes of the society: the “not—yet—born,” the living, and the dead. The relics were essentially skull fragments, or sometimes complete skulls, jawbones, teeth and small bones. The bieri also served for therapeutic rituals and, above all, for the initiation of young males during the great So festival.
Wooden reliquary figure, carved with slightly open mouth, showing row of upper teeth. Small triangular nose, leading into deep protruding crescent—shaped eyebrows. Circular unpierced eyes set in concave facial area. D—shaped ears on either side of round bald head. Ridge of protruding triangular—shaped hair on lower back of head. Connected arms carved to the side and folded in front of stomach area. Entire figure area covered with dark brown patina or libations. Starting around lower abdoman, a woven wicker or raffia basket, which encircles entire bottom portin of figure. Woven grass or raffia rope sporadically wrapped around neck, chest and back area, as well as very base of basket and forming two handles on either side, of top of basket.
Guy Mace Collection, (Turblex Company)
Wood W/Patina / Libations, Raffia / Wicker
Ritually Used
Carving / Weaving / Painting
Art Department, Missouri Southern State University
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Front ViewFront View
Front View - 2Front View - 2
Front View - 3Front View - 3
Right Side ViewRight Side View
Right Side View - 2Right Side View - 2
Right Side View - 3Right Side View - 3
Left Side ViewLeft Side View
Rear ViewRear View
Rear View - 2Rear View - 2